Event details

19 July 2022
19:30
L’Entrepôt 2901 Bd Saint-Joseph Lachine, QC H8S 4B7
Free admission (ticket required) | Suggested donation: 10$

The magic of French baroque music masters such as Marais, Couperin, Rameau and others performed by the superb, Les Boréades de Montréal.

This concert is presented in person.

A ticket (free) is required to access the concert
Suggested donation : 10$ – Make a donation
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Tickets also available at the door before each concert (60+ tickets)

Presented by

Concert: J.J. Cardinal Résidence Funéraire – Lachine

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Biography

LES BORÉADES DE MONTRÉAL

Francis Colpron, recorder
Olivier Brault, violin
Mélisande Corriveau, viola da gamba
Mylène Bélanger, harpsichord

Specializing in the Baroque repertoire, the ensemble Les Boréades was founded in 1991 by Francis Colpron. His approach is a faithful period interpretation, both by respecting the rules of ancient practice and by using period instruments. Critics and audiences in Canada and abroad have unanimously praised the energy, spontaneity and the theatrical, expressive and elegant playing of the ensemble, qualities that testify to an intimate understanding of the spirit of Baroque music.

The ensemble has toured extensively, both in Quebec and abroad, and participated in several prestigious festivals. The ensemble has also performed at the Frick Collection in New York, at the Concertgebouw in Amsterdam, at the Salle Gaveau in Paris, at the Vancouver Festival, at Musikfest Bremen and at Alter Musik Regensburg.

Les Boréades has also collaborated with internationally renowned musicians, including Hervé Niquet, director of the Concert Spirituel, Skip Sempé, harpsichordist and director of Capriccio Stravagante, violinist Manfred Kraemer, cornetist William Dongois, tenor Charles Daniels and Canadian singers Matthew White and Karina Gauvin. It also has a solid discography of twenty-five recordings distributed around the world to its credit. Les Boréades record on the Atma Classique label.

Program

Sonate en trio pour flûte traversière, violon et basse continue nº3 en ré mineur, original en si mineur (Troisième oeuvre de sonates, Paris, 1712) – Prélude – Fugue – Grave – Vivement	Jacques Hotteterre dit le romain (1681 – 1729)
Nouvelles suites de pièces de clavecin (Paris, 1728) – Les Sauvages – L’Enharmonique – L’Égyptienne	Jean-Philippe Rameau (1683 – 1764)

Pièces de viole et basse continue (4e livre de pièces de viole avec la base continue, Paris, 1717) – Musette – Biscayenne	Marin Marais (1656 – 1728)
Pièces de viole et basse continue (Pièces de viole avec la basse chiffrée, Paris, 1728) – Le Dodo ou l’enfant au berceau	François Couperin (1668 – 1733)

Quatrième sonate pour flûte traversière et violon par accord sans basse, opus 51 (Paris, 1734) – Adagio – Allegro – Aria – affettuoso – Gavotta	Joseph Bodin de Boismortier (1689 – 1755)
ENTRACTE / INTERMISSION

Sonate pour flûte à bec et basse continue en ré mineur (1er livre de pièces, 1712) – Lentement – Fugue – Courante – “Les notes égales et détachées” – Fugue	Anne Danican Philidor (1681 – 1728)
Sonate pour violon et basse continue en ré mineur (Paris, 1707) – [Prélude] – Presto – Adagio/presto/adagio – Presto – Aria – Presto	Elisabeth Jacquet de la Guerre (1665 – 1729)